American rapper and streamer, Darryl Dwayne Granberry Jr., popularly known as DDG, has opened up about which is more lucrative among his two professions.
Speaking in a recent livestream with Nigerian streamer, Carterefe, the American star claimed that streamers make more money than musicians.
“Streaming pays more than music. For real, streamers make more money than artistes,” he claimed.
DDG began his music career professionally in 2016. He gained prominence with the hit single ‘Givenchy,’ off his debut EP, Take Me Serious released in 2017.
The 28-year-old started his streaming career in 2014.
He later dropped out of Central Michigan University to focus on his YouTube career.
‘Streamers make more money than artistes’ – American rapper, DDG claims
The much-anticipated historical epic, King Kosoko, The Battle for Lagos, has premiered in Lagos, bringing together traditional rulers, cultural custodians, Nollywood stars and other distinguished guests for a night dedicated to history, heritage and Yoruba culture.
The world premiere was held on Sunday, August 23, 2026, at IMAX Cinema, Lekki, ahead of the film’s nationwide cinema release scheduled for Friday, August 28.
Produced by Teqsus Studios, the premiere featured a red-carpet gathering of prominent figures from the traditional institution, the Nigerian film industry and the wider cultural community.
The presence of traditional rulers, high chiefs and representatives of the Kosoko royal family further highlighted the historical and cultural importance attached to the production.
King Kosoko, The Battle for Lagos tells the story of Oba Kosoko and one of the most significant periods in the history of Lagos.
The film explores the political struggles surrounding Lagos, its relationship with the Benin Empire, competition over trade and influence, as well as the wider impact of external forces during the colonial era.
The production also examines the intersection of regional politics, trade and the transatlantic slave trade while portraying the struggle to preserve Yoruba identity and the sovereignty of Lagos.
At the centre of the story is Oba Kosoko, whose leadership, political strategy and resistance to opposing forces are portrayed against a backdrop of rivalry, betrayal and shifting alliances.
Directed by Adebayo Tijani, the film was produced by Ayo Ajayi and Segun Ololo Kosoko, with Marc Adebesin serving as co-producer.
The ensemble cast includes Femi Adebayo, Tina Mba, Odunlade Adekola, Femi Branch, Jide Kosoko, Yinka Quadri, Dele Odule, Gabriel Afolayan, Adeniyi Johnson, Sola Kosoko, Aisha Lawal and Kola Ajeyemi, among other performers.
The filmmakers described the project as a celebration of heritage and leadership, designed to bring an important chapter of Lagos history to contemporary audiences through cinematic storytelling.
Following the successful Lagos premiere, King Kosoko, The Battle for Lagos will open in cinemas across Nigeria on August 28, giving audiences an opportunity to experience the historical drama and its portrayal of one of Lagos’ defining royal conflicts.
Nigerian singer Oludemilade Martin Alejo, popularly known as YCee, has opened up on his absence from the music scene for a few years.
During a recent livestream with steamer Cater Efe, the ‘Juice’ crooner revealed that he took a break from music to concentrate on personal development.
He explained that he went on a journey of self-discovery but has now returned to music.
“I have been on the mountain. I went on a journey of self-discovery. But I am back,” he said.
YCee also explained the lore behind his moniker “Omo Alhaji”, revealing that his dad is a Muslim even though he is not being a practicing Muslim.
The music star described his personal spiritual philosophy as being centered simply on “love”.
Before his hiatus, YCee dominated the Nigerian music industry with hits like ‘Jagaban’, ‘Jucie’, ‘Omo Alhaji’, and so many others.
Nigerian comedian and MC, Jolomi Rapheal Oluwafemi, popularly known as Rapindady, has accused content creator Mr Remote of ignoring him after he gained fame.
Rapindady made the accusation in a video from his latest interview shared on social media.
When he was asked about his current relationship with Mr Remote, who once lived with him before gaining fame, Rapindady said, “Alagbara ma niyen ni tie.”
Narrating how he housed Remote when he had accommodation issues, Rapindady challenged him to “come out to say what I did wrong.”
“I don’t want to talk much about Remote because he’s someone I’ve loved so much from the beginning. I can’t say he’s being childish. He stayed in my place at one point. I can’t remember how many months he spent in my house when he had accommodation issues at the time.
“I was still single, and I was staying in a three-bedroom apartment. And when he came, we shot a few skits at the time. He told me a lot about many people in the industry. Now, ever since Remote blew up and relocated to Lagos, he stopped picking my calls. And I wish he could come out to say what I did wrong.
“You stayed in my house and I did not chase you out. You left on your own. I just want to believe that fame has gotten to him. I’m not the only one complaining. A lot of people who also helped him in the past are also complaining. Anytime I call him, he keeps telling me he’s on set. That was five years ago, and after that, I stopped calling him.”
Contains custom information set by the web developer via the _setCustomVar method in Google Analytics. This cookie is updated every time new data is sent to the Google Analytics server.
2 years after last activity
__utmx
Used to determine whether a user is included in an A / B or Multivariate test.
18 months
_ga
ID used to identify users
2 years
_gali
Used by Google Analytics to determine which links on a page are being clicked
30 seconds
_ga_
ID used to identify users
2 years
_gid
ID used to identify users for 24 hours after last activity
24 hours
_gat
Used to monitor number of Google Analytics server requests when using Google Tag Manager
1 minute
_gac_
Contains information related to marketing campaigns of the user. These are shared with Google AdWords / Google Ads when the Google Ads and Google Analytics accounts are linked together.
90 days
__utma
ID used to identify users and sessions
2 years after last activity
__utmt
Used to monitor number of Google Analytics server requests
10 minutes
__utmb
Used to distinguish new sessions and visits. This cookie is set when the GA.js javascript library is loaded and there is no existing __utmb cookie. The cookie is updated every time data is sent to the Google Analytics server.
30 minutes after last activity
__utmc
Used only with old Urchin versions of Google Analytics and not with GA.js. Was used to distinguish between new sessions and visits at the end of a session.
End of session (browser)
__utmz
Contains information about the traffic source or campaign that directed user to the website. The cookie is set when the GA.js javascript is loaded and updated when data is sent to the Google Anaytics server
6 months after last activity
Marketing cookies are used to follow visitors to websites. The intention is to show ads that are relevant and engaging to the individual user.
Name
Description
Duration
__smWelcomeMatShown
30 years
A video-sharing platform for users to upload, view, and share videos across various genres and topics.
Registers a unique ID to keep statistics of what videos from YouTube the user has seen.
Session
DEVICE_INFO
Used to detect if the visitor has accepted the marketing category in the cookie banner. This cookie is necessary for GDPR-compliance of the website.
179 days
LOGIN_INFO
This cookie is used to play YouTube videos embedded on the website.
2 years
VISITOR_PRIVACY_METADATA
Youtube visitor privacy metadata cookie
180 days
GPS
Registers a unique ID on mobile devices to enable tracking based on geographical GPS location.
1 day
VISITOR_INFO1_LIVE
Tries to estimate the users' bandwidth on pages with integrated YouTube videos. Also used for marketing
179 days
PREF
This cookie stores your preferences and other information, in particular preferred language, how many search results you wish to be shown on your page, and whether or not you wish to have Google’s SafeSearch filter turned on.