Tinubu’s Forest Guard: Who Will Guard the Guard? (Part 1)

Introduction 

When the Forest Hides More than Trees

To paraphrase an old African proverb, “when the forest is silent, beware, it may be plotting”. Nigeria’s forests are no longer just a canopy of trees sheltering wildlife and whispering winds; they have become a theatre of terror. Armed bandits, kidnappers and insurgents have “discovered” what ancient wisdom already knew: that the forest is the perfect hideout. In response, President Bola Ahmed Tinubu has proposed a bold and ostensibly visionary plan, the deployment of a National Forest Guard Corps. This move has since sparked hope, scepticism, and fierce Federalism-versus-Unitarianism debates.

At the heart of this strategy, is the ambition to reclaim over 1,129 forest reserves scattered across Nigeria’s sprawling terrain, most of which now serve as havens for terrorists and criminal syndicates. With over 130,000 armed operatives to be recruited and deployed, it is easy to view this initiative as the long-overdue solution to Nigeria’s security woes. But, this move is not just about logistics and boots in the bush; it is about sovereignty, legality, and local legitimacy. Is Tinubu’s forest guard plan a Federal solution to a national emergency, or is it an ill-fated centralisation of local security challenges, enabling the Federal Government to breathe down the necks of State Governments?

To answer this, we must examine the legal, constitutional, and operational frameworks of Tinubu’s initiative, evaluate historical precedents, and analyse the potential risks of imposing a Federally controlled paramilitary force in forests that historically and legally belong to the States. We must also interrogate whether security can be bought with arms alone; or whether it grows from the grassroots up. 

But, before we venture into the thicket of policy and power, let us consider the context that birthed this proposal. Nigeria’s forests, which were once ecological sanctuaries, have gradually degenerated into lawless zones of bloodbaths. The green expanse that should echo with bird calls and animal grunts, now reverberate with gunfire. Insecurity in rural and agrarian communities has reached such alarming heights that farmers have virtually abandoned their lands, leading to food insecurity, economic stagnation, and mass displacement. The forests no longer nurture life; they generate death.

Between Policy and Implementation

The Government’s decision to respond with a large-scale recruitment of forest guards may indeed, seem intuitive, after all, it aligns with the global trend of ecological militarisation in fragile States. Yet, the structure of implementation matters deeply. If the architecture of this plan disregards Nigeria’s Federal nature, it risks exacerbating the very crisis it was intended to solve. Forests may be rooted in soil; but the guardianship of that soil is rooted in law, identity, and community ownership. The principle of quic quid plantatur solo solo cedit applies. Forest guards who do not share the language, culture, history or kinship of the terrains they are sent to police, will surely be seen as outsiders. And, such outsiders in the forest may become either victims or villains.

Furthermore, this proposal arrives at a critical moment in Nigeria’s democratic evolution. Debates over State and community policing, restructuring, devolution of powers and regional autonomy are no longer intellectual abstractions; they have become national imperatives. See Sections 215 and 216 of the 1999 Constitution. Tinubu’s plan, whether deliberately or inadvertently, intersects with these gaping fault lines. To superimpose a Federally-managed forest force without recognising the nuanced relationships between State, land and community, is to risk uprooting fragile peace and replacing it with more severe antagonism.

Now, are we really a Federation in truth, or merely in name? I dare say what we operate in the guise of Federalism is actually a unitary form of government. Can national unity be enforced through uniformed patrols, or is it better that it be cultivated through shared values and governance? As we delve deeper, the question is not just who guards the forest, but, who decides who guards the forest, and in whose name. Indeed, a deeper question: Who will guard the Guard?

The Forest, the Federalist and the Federation

Constitutional Realities: The Power of the States Over Forests

In any Federal system, the distribution of power especially over land and internal security, is a defining hallmark. Nigeria’s Federalism, is no exception. The country’s current structure, codified under the 1999 Constitution (as amended), clearly delineates the powers of Federal, State and local governments. See Sections 2(2),3(1-6) of the Constitution. A close reading of Section 7 and the Fourth Schedule (paragraph 2(b)) to the Constitution highlights the responsibilities of Local Government Councils, including the control and regulation of agricultural and natural resources and by extension, includes forest land not reserved to the Federal Government. This immediately places forests, by default, under the control of the States, unless specifically designated otherwise, since Local Governments are located in States.

Furthermore, the Land Use Act, 1978, which is incorporated into the Constitution by reference (Section 315), gives State Governors control over all lands within their territory, excluding those under Federal use, to hold them in trust for the people of their States. The Act empowers Governors to allocate land in urban areas to individuals and organisations, and to oversee the use of non-urban land through Local Government Councils. Consequently, the direct implication is that, any forest or land not classified under National Parks, Federal Reserve zones, or Military Controlled areas, falls squarely under the jurisdiction of the State.

Federal v State Power

Of Nigeria’s 1,129 officially gazetted forest reserves, the vast majority are managed by State Forestry departments under their Ministries of Agriculture, Rural Development or Environment. These include large forest blocks in States like Cross River, Ondo, Ogun, Taraba, and Ekiti, many of which are vital to local economies, ecological sustainability, and food security. The Federal Government only controls forest areas designated as National Parks (such as Gashaka-Gumti National Park, Kainji Lake National Park, Cross River National Park, and Old Oyo National Park), administered under the National Park Service, an agency of the Federal Ministry of Environment.

Attempts to impose direct Federal recruitment and control over forest guards in State-managed forests without legislative amendments or formal agreements, risk violating both the spirit and letter of the law. Even within the Federal legislative framework, forest policing is not explicitly listed on the Exclusive Legislative List, meaning that it falls under either the Concurrent List (shared responsibilities between the Federal and States) or, in most practical scenarios, the Residual List, which is left to States’ discretion.

Unitarianism in Disguise?: The Danger of a Federal Paramilitary Force

Unitarianism masquerading as Federal security cooperation is a deeply sensitive issue in Nigeria, where ethnic plurality, historical grievances, and political mistrust run deep. The idea that over 130,000 armed operatives could be centrally recruited, trained, and deployed under Federal command while ostensibly operating within State territories, is understandably alarming to many stakeholders. It evokes painful memories of other Federally-controlled agencies that have operated with little or no regard for local dynamics, and often with tragic consequences.

The Special Anti-Robbery Squad (SARS) is a case in point. Established as a unit within the Nigeria Police Force, SARS was accused of gross human rights violations, including extra-judicial killings, torture, and extortion. Its Federal command structure meant little accountability to State Governments or communities. The #EndSARS protests of 2020, which began as youth-led demands for Police reforms, quickly morphed into a broader call for systemic change, highlighting the dangers of over-centralised security control architecture.

Similarly, the Nigeria Security and Civil Defence Corps (NSCDC), while useful in its community protection mandate, has often been accused of operational inefficiencies and jurisdictional clashes with State authorities. Cases of NSCDC operatives acting with impunity or engaging in power struggles with local law enforcement agents, are well documented.

Against this backdrop, Tinubu’s forest guard plan raises critical concerns. How can a Federal command effectively manage such a force across diverse terrains, languages and cultures, without falling into the same trap of over-centralisation and under-accountability? What happens when these guards act outside the law, or when Federal and State authorities disagree on deployment priorities? Who investigates complaints of misconduct, especially in remote rural areas? Who has the final say?

These questions are not merely theoretical. In countries with similar Federal structures, such as India and the United States, forest protection and environmental policing are almost always handled at the State or provincial level, often under decentralised bureaucracies with State-specific laws and enforcement mechanisms. For instance, India’s Forest Protection Committees are embedded in local governance structures, while U.S. State Park Rangers operate independently of Federal policing units, unless specific interstate or Federal crimes are involved. Nigeria’s own Federal structure, should offer no less sophistication. The creation of another Federal paramilitary force, especially one that operates deep in the natives’ forests without local allegiance or accountability, risks becoming not a solution but a security liability, and worse, a political tool in the hands of a powerful centre.

Indigenous Security Models: The Case for Local Recruitment

The wisdom of local recruitment, is both practical and cultural. Insecurity in Nigeria’s forests is not just about guns and patrols, it is about intelligence, relationships and trust. Bandits and criminal syndicates thrive, in environments where locals are alienated from the security structure. Conversely, they are more easily repelled when local vigilantes, hunters and indigenous operatives form part of the security fabric.

The Nigerian Hunter and Forest Security Service (NHFSS), which operates across the 36 States and the FCT Abuja, provides a compelling model. Comprised largely of traditional hunters and forest dwellers, the NHFSS brings a unique blend of tactical expertise and cultural affinity. In States like Kogi, Kebbi and the FCT, NHFSS operatives have been instrumental in intercepting kidnap gangs, uncovering illegal encampments, and collaborating with security agencies. Their effectiveness is rooted not in superior weaponry, but in their deep understanding of their peculiar terrain, their loyalty to the community, and the trust they command from locals.

A retired Army General, Peter Aro, hailed the development as a critical step in addressing rising insecurity within Nigeria’s forested regions, particularly the scourge of banditry, kidnapping, and insurgency. Forest guards must possess field survival skills, terrain literacy, and community integration. These are not qualities one can mass-produce in Abuja, through crash course training programmes. Furthermore, security should be intimately linked to traditional institutions, such as village heads, district councils, and traditional rulers, who provide crucial intelligence and moral authority.

Security Analyst, Chidi Omeje has also pointed out the danger of sending “fresh recruits with basic firearms” into forest zones where criminal elements are known to possess military-grade weapons. He advocates for a dual-layered model, where locally embedded forest guards work alongside the Military and Police, but under local command structures.

There are also precedents for success. The Amotekun Corps in the South West, and the Benue Community Volunteer Guards, are examples of locally-driven initiatives that have shown promising results. While not without their challenges, these Corps are better attuned to the local environment, and have the legitimacy to act swiftly in ways that Federal forces cannot.

Furthermore, a decentralised approach would stimulate local economies. Recruitment of indigenes provides employment, instills civic pride and strengthens the social contract bond. It also ensures that the guards see themselves as protectors, not as occupiers, a distinction that is vital in volatile communities where the line between security agent and aggressor is often thin.

In summary, while the Federal Government has a legitimate role in coordinating national responses to threats, its approach must be that of a facilitator, not a commander. Support through training, funding, surveillance technology (e.g., drones, forest mapping systems), and standard setting is invaluable. But, command and control must remain at the State level, rooted in the soil, culture, language, idiosyncrasies and rhythms of the communities the guards are sworn to protect. (To be continued).

THOUGHT FOR THE WEEK

“The clearest way into the Universe, is through a forest wilderness.” (John Muir)

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    Postscripting the Panic Lokoja ‘Endorsement Rally’

    Postscripting the Panic Lokoja ‘Endorsement Rally’

    Tunde Olusunle

    President Bola Tinubu’s body language very evidently is sending frills and jitters to sections of his party faithful in Kogi State. Those who know Tinubu well know that he is not given to garrulity, or verbal frivolities. Say all you care and he simply supports his chin with his hand taking in the lines and hysteria. He seems rather more inclined to introspection and action, than verbal effusions. He has elected a strategic siddon look approach to domestic politics in the “confluence state.” All politics should ideally be local. But those with the self-entitled belief that they should hear from the lips of this god but are not, have plunged into a staccato of blunders and frenzy of missteps. 

    Saturday, October 11, 2025, a group which tagged itself “Stakeholders of the All Progressives Congress (APC)” from Kogi West Senatorial Zone congregated in Kabba, the political headquarters of the district. The assembly comprised in the main of past and present benefactors of Yahaya Bello, the immediate past Governor of the state. There were past and present state parliamentarians, the state executive council and party leaders. In a senatorial zone with three national assembly members notably Senator Sunday Karimi, the Member Representing Lokoja/Kotonkarfe in the House of Representatives, Danladi Suleiman Aguye, and his counterpart for Kabba-Bunu/Ijumu, Salman Idris, were absent. The body, without evident and discernible concurrence from the Eastern and Central Senatorial Zones, “endorsed” President Tinubu and the Kogi State Governor, Ahmed Ododo, for second terms. Ododo is barely 21 months in office by the way. 

    One week later on October 18, 2025, a supposed statewide “endorsement rally” was staged in Lokoja the Kogi State capital to validate the position earlier taken in Kabba concerning the inviolability of the Tinubu/Ododo 2027 return tickets. Those who monitored the event described it as a circus, a charade. A particular commentator said on his social media page: “I was in Lokoja yesterday. I was close to the venue of the stage-managed endorsement rally, held at the Old Lokoja Stadium. It was hugely boycotted by the foundation members of APC Kogi, the Abubakar Audu/Abiodun Faleke political family. Even Audu’s son, the Minister for Solid Minerals, Shaibu Audu, was noticeably absent. There was no political figure of substance at the event. It was a grand failure.”

    Followers of politics in Kogi State have posited that the “endorsement” scam scheme is the holistic orchestration of Yahaya Bello. Since his recalcitrant miscalculation of running against Tinubu at the 2022 APC presidential primary even when more formidable aspirants stepped aside to clear the pathway for the president, there has been seething disaffection against Bello by Tinubu’s henchmen. At various strategy meetings of the president’s team, video clips of Bello’s preelection indiscretions and foibles were reportedly reviewed and analysed. In one particular video clip, Bello stormed out of meeting called by former APC National Chairman, Abdullahi Adamu, admonishing presidential aspirants at the time, to rally behind a particular aspirant. He threatened to address the press and stated that “no Jupiter”  could dissuade him from pursuing his ambition to a successful conclusion.

    There is yet another video clip, where Bello prosecuted a disdainful mimicry of Tinubu’s famous adjustment of his flowing agbada, the day he made the historic emilokan declaration in Abeokuta the Ogun State capital. The internet is nemesis. Bello attempted to atone for his lack of depth and circumspection in the immediate aftermath of the APC presidential primary, when he relinquished his erstwhile presidential campaign headquarters in Abuja to the Tinubu project as convening hub for youth mobilisation. Adherents of Kogi State politics, however, noted that Bello’s exuberance was at play again when the position of National Chairman of the APC was zoned to the North Central last July, following the resignation of Dr Abdullahi Ganduje a month earlier. Whereas Bello reportedly believed it was time for him to be “rewarded” by Tinubu being from the North Central, Tinubu favoured a more sober, less tempestuous university scholar, Prof Nentawe Yilwatda from Plateau State, hitherto Minister of Humanitarian Affairs and Poverty Reduction.

    Buffeted by ongoing judicial inquest into allegations of the theft of hundreds of billions of naira under his watch as governor between January 2016 and January 2024 in which Tinubu has refused to meddle, Bello is substantially at sea. He is therefore inclined to commit to everything and anything that will ingratiate him to Tinubu. Didn’t this very same Bello tell Nigerians back in 2016 on the occasion of his very first visit as governor, to former President Muhammadu Buhari, that he would happily jump into a furnace of fire on Buhari’s orders because Buhari made him? Bello therefore desires the overarching canopy of President Tinubu for his political self-preservation by putting himself forward as chief campaigner for the President in Kogi State.

    Alongside this, he craves the perpetuation of Ododo, who he singlehandedly handpicked to run in the November 2023 governorship poll in Kogi State, in office for a second term. There are loud insinuations that both men, and a few other kinsmen, hold the knife to the mutton of state resources. According to the commentator earlier cited on the Lokoja rally, the tragi-comedy relied on very reluctant participants. Attendes were predominantly monetarily-induced and literally dragged to the venue of the hoax, just to give an optical illusion of popular participation. Sadly, Bello did himself no favours when he threatened the Kogi State electorate with violence should they be inclined to other candidates than those he has prescribed for them. Bello the self-styled “white lion” of Kogi politics vowed that the people of Kogi State will cower when he roars. 

    Bello, who was fingered in untoward electoral practices as governor, including the animalistic novelty of procuring a helicopter to fire live bullets at voters on queue in his quest for reelection in 2019, has been roundly chided for threatening electoral mayhem come 2027. Murtala Ajaka who contested against Bello’s man Ododo in the 2023 poll, and Senator Karimi, are on the same page with the coming success of President Tinubu in 2027. They are unanimous in their conviction that he has acquitted himself substantially in Nigeria’s peculiarly difficult social, economic and political circumstances and deserves the overwhelming nod to complete his good run. But they don’t agree with Bello’s warmongering rhetoric in a state whose customary calm, charm, serenity and stability, has been unsettled by insecurity in recent months.

    For the avoidance of doubt, a civilised endorsement rally was held in Lagos Tuesday October 21, 2025. It had in attendance all three of Tinubu’s successors: Babatunde Raji Fashola, Akinwumi Ambode and the incumbent, Babajide Sanwo-Olu. The state legislature led by the long-serving Speaker of the Lagos State House of Assembly, Mudashiru Ajayi Obasa, the traditional institution, leaders and elders of the state featured prominently at an event which was interactive and seamless. Typical Lagos-style, it broke into a carnival, without anyone professing his “tigritude”, without swear words, invectives and intimidation. Nobody was chanting “ekwechi” or “echane” battle songs. As my senior colleague and kinsman of blessed memory, Prof Ayo Olukotun would have put it while effecting a coinage from a Yoruba expression the Lagos event was a “jelenkeist” outing, easy and smooth.

    This is why there must be decisive official reaction to Bello’s incendiary talk, beyond the cautionary notes already served by well-meaning political leaders in the state. Between the national leadership of the APC and the security superstructure, Nigerians expect some reprimand for Bello’s potentially combustive utterances. We live, rather sadly, in a country where order, sanity, integrity have been thrown to the dogs. Elsewhere, Yahaya Bello, an accused person, would not be the headliner of Tinubu’s reelection campaign. Not in John Dramani Mahama’s neighbouring Ghana. Tinubu indeed has demonstrated resolve when it mattered, to keep in abeyance those whose conduct is capable of impugning his reputation and that of his administration. 

    Tinubu booted out Betta Edu, Yilwatda’s predecessor from the federal executive council on allegations of corruption in January 2024, and showed the door to Uche Nnaji his Minister for Science and Technology for certificate forgery, weeks ago. Nyesom Wike, Tinubu’s Minister in-charge of the Federal Capital Territory (FCT), did not irritate the nation’s ears last month, with his typical self-serving live television interviews during which he fritters public funds insulting and casting aspersions on others. He has most probably been put on leash. This Tinubu doesn’t seem to like “idoti,” as we allude to dirt, garbage and rubbish in Yoruba.

    Bello should be assisted to spend his time in sober reflection and retrospection, regularly engaging with his attorneys on his variegated pendency before the courts. He should be more active on his prayer mat, penitent about his past, and prayerful about ongoing legal proceedings. Make no mistakes, there are precedents of former Nigerian governors who underwent extended, after-office “vacations” within the walls of our custodial centres, following verdicts about their times in office. Let him ask Jolly Tanko Nyame and Joshua Chibi Dariye, former governors of Taraba and Plateau states.

    • Olusunle, PhD, Fellow of the Association of Nigerian Authors, is an Adjunct Professor of Creative Writing at the University of Abuja

    ​  

    Tunde Olusunle President Bola Tinubu’s body language very evidently is sending frills and jitters to sections of his party faithful in Kogi State. Those who know Tinubu well know that

    Modernism Speaks with a Nigerian Accent

    Modernism Speaks with a Nigerian Accent

    Alluring in scope and audacious in intent, the Nigeria Modernism exhibition at London’s Tate Modern redraws the world map of modern art, inscribing Nigeria into its canon with quiet authority. Okechukwu Uwaezuoke reports

    For once, the story of global modernism lifts its gaze beyond Paris and New York to those who shaped it from Lagos, Zaria and Nsukka. Nigeria Modernism, now showing at Tate Modern until May 2026, feels less like an exhibition than a long-overdue act of restitution—a righting of the record that has lingered too long in the wings. It might just as well be called a revolution—albeit one waged in silk gloves and hushed confidence. This is no riotous insurgency but a velvet mutiny: a movement that drifts through museum doors, charms the canon with a conspiratorial wink, then, almost mischievously, rewrites the script of art history with effortless grace.

    Unfolding through a partnership between Access Holdings Plc, Coronation Group and Tate Modern, the exhibition traces a golden arc from the 1940s to the 1970s—decades brimming with artistic ferment and post-independence fervour. Fifty artists and more than 250 works collectively dismantle the fiction of modernism as Europe’s private invention. Here, modernity dances to a different beat: it sways in aso-oke, hums in pidgin, and converses with Picasso not as pupil but as peer.

    At the heart of the exhibition stand seven wooden sculptures by Ben Enwonwu, commissioned in 1960—the year Nigeria drew its first independent breath—and now part of the Access Holdings Art Collection. Their poised figures rise like sentinels of reclaimed memory: elegant, unbowed, and quietly triumphant. Returned to London not as colonial trophies but as cultural envoys, they embody history’s most graceful reversal—Nigeria, once studied, now doing the teaching.

    Moored in Enwonwu’s steady brilliance are kindred spirits who helped give modern Nigerian art its many dialects. Uzo Egonu abstracts memory into geometry, turning exile and belonging into delicate negotiations of colour and form. Ladi Kwali, the potter-queen of Abuja, shapes clay into quiet theology—each vessel a tribute to patience and poise. Circling them are Bruce Onobrakpeya, Uche Okeke, Yusuf Grillo, Demas Nwoko, Aina Onabolu and Kolade Oshinowo: artists who forged a visual language in which spirituality and experimentation converse with the ease of old friends. Together, they built a modernism that expanded rather than erased tradition—one that spoke to the world, yet never forgot the timbre of home.

    Measured in equal parts diplomat and visionary, Enwonwu embodied the dual temperament of Nigeria’s modernism—its outward confidence tempered by inward reflection. If he negotiated with empire through poise and brushstroke, Bruce Onobrakpeya acted as its alchemist, fusing folklore, theology, and printmaking into a luminous alloy of faith and form. Yusuf Grillo’s indigo saints, serene and meditative, hold the stillness of stained glass, while Uche Okeke’s line drawings pulse with mythic urgency. Together with Demas Nwoko, Aina Onabolu, and Kolade Oshinowo, they forged a distinctly Nigerian idiom: a modernism that embraced tradition without surrendering to it, speaking to the world while retaining the cadence of home.

    To call it a milestone would scarcely suffice. For Tate Modern, Nigeria Modernism represents the most comprehensive survey of Nigerian modern art ever staged in Britain; for Nigeria, it is a declaration of reclamation—an assertion that its modernists were never latecomers, but active interlocutors in the global avant-garde. “Seeing our art on the walls of Tate Modern filled me with indescribable pride,” remarked Amaechi Okobi, Chief Communications Officer at Access Holdings. “It felt as though home had travelled—Nigeria itself being celebrated in the heart of London.”

    That sentiment rippled through the opening, described by Ngozi Akinyele of Coronation Group as the largest in Tate’s 25-year history. “We are stewarding a renaissance,” she said, “in art as in music, film, and fashion—a renaissance that restores dignity and belonging.” Her observation resonates with striking clarity: if Afrobeats has already colonised the world’s playlists, Nigeria’s painters and sculptors are now remapping the museum, staking their claim on walls once thought beyond reach.

    Both Access Holdings and Coronation Group extend the partnership beyond the hushed galleries of Tate, sponsoring student tours and cultural-education programmes that keep the conversation alive back home. Access continues to expand its corporate collection and mentorship schemes, while Coronation’s galleries sustain a dialogue between modern and contemporary African art. The collaboration feels less like corporate branding than a form of aesthetic diplomacy—where commerce and culture meet with the ease of old friends, and influence is exercised with unassuming grace.

    Inside the exhibition, the atmosphere tilts toward the transcendent. Kwali’s clay radiates quiet conviction, each vessel a tribute to patience and poise. Grillo’s indigo blues hum with devotional serenity, holding the stillness of stained glass in their luminous depth. Onobrakpeya’s prints murmur with encoded myth, intricate and alive, conjuring a world where folklore and modernity entwine. Together, these works generate their own weather—vibrant, electric, insistently Nigerian. Here, modernism speaks not as borrowed vocabulary but as mother tongue, fluent in tradition yet unafraid of reinvention.

    “This is not just Nigeria on display,” remarks one curator. “This is Nigeria taking its place in world history.” After decades of being sidelined in art-historical narratives, Nigeria’s modernists now occupy the centre—not as curiosities but as co-authors of modernity. Nigeria Modernism also gestures toward a subtler, deeper restitution. Beyond the ceremonial return of bronzes, it restores narrative agency: the power to define one’s own modernity. It reminds the viewer that Nigeria’s artists were never waiting for permission to be modern; they were merely waiting for recognition.

    Shimmering in the subdued light of Tate Modern’s galleries, that recognition glows. Modernism here speaks in Yoruba cadence, hums in Igbo idiom, and keeps time to the earthy percussion of Gwari clay. It is confident, complex, and gloriously self-possessed. As the Thames drifts past the museum’s concrete flank, the works inside radiate something larger than art: reclamation, affirmation, and the quiet jubilation of a history finally heard.

    ​  

    Alluring in scope and audacious in intent, the Nigeria Modernism exhibition at London’s Tate Modern redraws the world map of modern art, inscribing Nigeria into its canon with quiet authority. Okechukwu

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