WHEN THE PEOPLE VOTE BUT THE JUDGES CHOOSE

ABDUL MAHMUD contends that judges now wield more influence than ballots

One month ago, in Abuja, a small circle of friends, literary enthusiasts, human rights activists, politicians, public intellectuals and thinkers gathered to listen to Chidi Odinkalu read from his latest offering, The Selectorate: When Judges Topple the People. It was a private reading, but the ideas Chidi graciously espoused belong in the public domain. They concern us, citizens of this ruined Republic.

Odinkalu is no stranger to judicial criticism. I have often described him both as a restless ruffler of the judicial nest and a flamethrower who scorches the dark recesses of our judicial quarters, casting light into corners long hidden from public view, so that citizens may, if only for a moment, glimpse the shadows that dwell within. Rightly so. He has spent the better part of his sterling career in the academe and public activism, exposing the inconsistencies, betrayals, and quiet capitulations of the judicial branch. But The Selectorate is more than a critique. It is a mirror, held up to a country whose judicial branch is in utter disrepute.

Odinkalu’s rendering is consistent with the Selectorate Theory popularised by Bueno de Mesquita, Alastair Smith, Randolph Siverson, and James Morrow in their landmark book, The Logic of Political Survival. They divide society into three groups: the nominal selectorate (everyone with formal rights to choose leaders), the real selectorate (those who actually vote or participate), and the essentials – the critical few without whom no leader can hold power.

In functioning democracies, the “essentials” are usually the voting public. In our case, Odinkalu argues that the courts have quietly taken over that role. The judges, especially those presiding over electoral disputes, now determine who governs. Not the people. This shift means power is no longer derived from the consent of the governed but from the decisions of judges that often defy logic or law. Judges have become kings who sit on imperial thrones where they measure justice by the Shekels. 

Odinkalu lays out his arguments methodically. He does not scream. He squares the bull’s eye and scores it well, without being vindictive. He lays accusations where he needs to. He illustrates. Case after case, election after election, state after state, he shows how the judicial branch transformed itself into a class of The Selectorate. Judges now act both as kings and kingmakers. They wield more influence than ballots. They decide contests that citizens thought they had settled at the polling units. He advances the reason, among other reasons, for this, or to put it more simply, he provides an account for the state of affairs, concluding: “This combination of factors was well suited to inspire the onset of a new trend in the cultivation of clientelist relationships between politicians and judicial officers underpinned by bargains, both implicit and sometimes explicit”.

Odinkalu’s position is not founded on legal abstractions. He excavates the upper crust of judicial adjudication with the dexterity of the Foucauldian archaeologist, seeking to uncover what lies beneath the surface of mere observations, thereby exposing bargains hidden by client relations. 

What he exposes presents itself as the real, clear, present and growing danger to our democracy. But, there’s a point about hegemony and power to be made here, a point that he didn’t allude to, which underpin his arguments. The Italian scholar, Antonio Gramsci, argued in his Prison Notebooks that power can be seized, constructed, and sustained through the subtle architecture of hegemony. He showed that ruling classes rule by force and also by manufacturing consent to legitimise its authority. Once power is seized, it does not serve the common good, but answers only to those who possess and perpetuate it through dubious means, as the Selectorate Theory explains. The danger, again, is that the moral foundations of the state are hollowed out and the institutions of justice are reduced to performances for the powerful. It is through these dubious performances for the powerful that judicial hegemons have taken our country’s democracy. 

Drawing from political science, constitutional law, and Nigeria’s political history, Odinkalu makes a powerful case for restraining the judicial branch instead of exalting it. His critique is interdisciplinary, and there lies its strength. He does not merely point out errors of law; he explains how those errors consolidate power in the hands of a few, and how that consolidation hollows out our Republic. He tells the truth many dare not whisper: that judges now select councillors, chairmen, governors, senators, representatives and presidents. Nigeria’s citizens have been turned into mere subjects without the power to decide who represents them. Simply put, they have become a formality in the democratic rituals. They queue in the sun to vote, but the real verdict emerges later from obsequious courts and decisions delivered by judges who do not “act justly, love mercy, and walk humbly”, as Prophet Micah expressed in the Holy Book.

Odinkalu’s work strikes at the core of Nigeria’s political dysfunction. It speaks to the question of legitimacy. A government chosen by judicial fiat is not a government of the people; It is a government of the court. He is not the first to observe this, but he may be the first to frame it so sharply and so brilliantly. By situating his analysis in the Selectorate Theory, he shows that the problem is not only corruption or incompetence. It is also structural and systemic. It is also about how political actors engineer political survival in Nigeria through the manipulation of legal instruments by counting judges among their favourites. In this way, the judges have also transformed themselves from kingmakers into kings. 

This is not an attack on the judicial branch. It is a call to conscience. Judges are meant to be neutral arbiters. In Odinkalu’s offering, too many have become embedded in the arena of electoral conflict.  They do not interpret the rules; they change them and enter fudged scores on results’ sheets. They act as though democracy begins and ends in their courtrooms. While inside the arena of conflict, their roles aren’t about reviewing the actions of burglars of elections; it is simply about taking sides with election bandits and extending the geography of banditry and the boundaries of judicial conquest.

Odinkalu highlights the notion of “judicial essentials”: those judges whose decisions determine whether a political actor rises or falls. In a country where elections are frequently flawed and where the process is often tainted by violence and rigging, it is easy for judges to claim the role of final referee. But what happens when that referee takes sides? Odinkalu answers this with clarity.

Democracy collapses not with the squeal of “Fellow Nigerians”, martial music, and the bang of a coup, but with the gavel of a judge. Quietly. Slowly. Fatally. He does not argue that all judges are corrupt. Rather, he shows how a politicised judicial process invites corruption. When judges are seen as gatekeepers to power, the temptation to influence them becomes overwhelming. The judiciary, once the last hope of the common man, has become a marketplace of elite bargains.

There are those who will say Odinkalu exaggerates, but the evidence says otherwise. He documents cases in which politicians whose names were not on the ballot ended up being our representatives – with help from the courts, of course. He documents cases in which political careers were extinguished, not by voters, but by panels of judges whose decisions stretched the limits of interpretation. Some of these rulings contradicted precedents. Others ignored the evidence. All of them had political consequences.

What makes The Selectorate compelling is that it does not end in despair. Odinkalu offers suggestions. He calls for transparency in the appointment and disciplinary processes for judges. He urges the Bar to be more assertive in defending judicial integrity. He wants the public to demand better. Most of all, he believes the judiciary must return to its proper role: interpreting the will of the people, not supplanting it. And the citizens must be at the heart of electoral disputes, as parties. It’s a tough ask in a country where institutions are routinely hijacked. But it is necessary.

As I listened to him read that Saturday, I was struck by his calm tone. There was no bitterness. Only resolve. He has written this book not to condemn, but to warn compatriots. He asks citizens to reckon with what the country has become and to confront how that becoming has trumped electoral justice. What was once a noble exercise of the power of choice at the ballot box has, in his offering, turned into absurdity. Here, power is no longer secured through the choices of citizens at the ballot box, but through the meticulous choreography of legal arguments staged not for the people, but for those robed in black who now hold the final say. The will of the electorate has been displaced by shenanigans, which play out in courtrooms that have become the true closets of judicial corruption. Ours is a democracy where the people vote, but the judges choose.

It is easy to look away; and easier still to rationalise. But the consequences are already here. Disillusionment. Voter apathy. Cynicism. When citizens no longer believe their votes count, democracy dies. Odinkalu is urging them to fight back; not with violence, but with vigilance. Not with slogans, but with civic courage. The judicial branch is vital. Its independence must be protected. But that independence is meaningless if it is used to serve power instead of the citizens. 

The Selectorate is not just a book about judges. It is about us: our passivity, our complicity, and our silence. It urges us to look at the judicial branch and ask, “Whose interests does it now serve?” In that question lies our fate, our country’s fate and the fate of democracy.

A lawyer and a writer, Abdul Mahmud is President, Public Interest Lawyers League (PILL)

The post WHEN THE PEOPLE VOTE BUT THE JUDGES CHOOSE appeared first on THISDAYLIVE.

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    Nigeria, Switzerland Commence Talks on Cultural Cooperation, Repatriation of Artifacts

    Nigeria, Switzerland Commence Talks on Cultural Cooperation, Repatriation of Artifacts

    The Ministry of Art, Culture, Tourism and Creative Economy has commenced talks with the Swiss government on cultural cooperation and the repatriation of Nigerian artifacts currently housed in Swiss museums, including monoliths and bronze pieces.

    During a courtesy visit to the Minister, Hannatu Musa Musawa, in Abuja yesterday, the Swiss Ambassador H.E. Patrick Felix Egloff, expressed Switzerland’s willingness to enter into bilateral agreements and cultural diplomacy. 

    “This is the first time that a Swiss ambassador is meeting with a Nigerian Minister of Art and Culture. There is a lot happening, and we would be very interested to build more institutional cooperations with the ministry, and we think this restitution would be a very good opportunity to strengthen institutional cooperation,” Egloff said. 

    The Ambassador stated that the process of returning the artifacts started three years ago, and they hope to hand over the bronze pieces through the Nigerian Embassy by the end of the year. 

    Responding, Musawa thanked the Swiss government for their efforts, emphasising the importance of retrieving the artifacts for Nigeria’s cultural heritage.

    She said that the meeting marked an important step in strengthening cultural ties and exploring new areas of cooperation between both governments. 

    Musawa highlighted potential cooperation opportunities in areas like animation, design, architecture, hospitality, and tourism. 

    “It is very important for us Nigeria to have back these artifacts and even have a wider conversation with Switzerland about what the restitution will look like. The conversation with the Minister of Culture in Switzerland is going to be very important because we would look at what our cooperation opportunities are in other areas, especially in areas like animation, design, architecture, hospitality and tourism.” 

    Both parties agreed to continue discussions and explore opportunities for collaboration in the arts and cultural sectors.

    The meeting builds on existing diplomatic efforts between Nigerian and Swiss officials and demonstrates the commitment of both countries to enhancing their cultural relationship.

    The post Nigeria, Switzerland Commence Talks on Cultural Cooperation, Repatriation of Artifacts appeared first on THISDAYLIVE.

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    The Ministry of Art, Culture, Tourism and Creative Economy has commenced talks with the Swiss government on cultural cooperation and the repatriation of Nigerian artifacts currently housed in Swiss museums,
    The post Nigeria, Switzerland Commence Talks on Cultural Cooperation, Repatriation of Artifacts appeared first on THISDAYLIVE.

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